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ARTUR ZAREMBA

Director / Editor / Creative Producer

I’m an accomplished filmmaker with twelve years of experience across production, direction, editing, colour and creative leadership. My work spans independent film, branded campaigns, social-first content and editorial, from early development and pre-production through shooting, post and final delivery.

I see the whole project: what it needs to achieve, who it needs to reach, and how performance, structure, rhythm and image come together to make it work. I bring creative judgement, technical precision and a clear point of view to every stage of the process.

I make work worth watching, and I make it exceptionally well.

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AVAILABLE FOR FREELANCE

DIRECTION

From concept and development through pre-production and the shoot, I shape films around performance, image, rhythm and a clear understanding of what the work needs to achieve.

EDITING + POST

Editing is where much of my career began, and it remains central to how I think. I work across edit, colour and finishing, shaping material with precision while protecting the idea, performance and purpose behind it.

CREATIVE PRODUCTION

I lead projects from brief to delivery, bringing together creative ambition, practical production thinking and an understanding of audience, platform and outcome.

SELECTED WORK

SELECTED WORK

Selected film, branded content and editorial work by Artur Zaremba, a London-based director, editor and creative producer working across production and post.

HYPER-REALITI

Starring Munroe Bergdorf, HYPER-REALITI moves between embodied reality and constructed digital worlds through dance, poetry and image.

I developed the project from concept through production and post, shaping its visual language around performance, identity, mediated selves and the instability between the image we construct and the person underneath it.

Featured by NOWNESS Asia. Supported using public funding by Arts Council England.

PARKINSON’S UK / NURSE APPEAL

PARKINSON’S UK / NURSE APPEAL

A national fundraising campaign focused on expanding access to specialist Parkinson’s care across the UK.

I led the creative direction and film and photography output, shaping sensitive personal stories into clear, human campaign content across multiple audiences, formats and channels.

The wider appeal aims to raise £9 million and has helped create more than 30 new specialist roles.

ARRIVAL

I led editing and colour across global campaigns, product communications and major brand moments for Arrival, including work around COP26.

The role involved shaping complex material into clear, consistent films across multiple formats and international markets, often through compressed production cycles and intensive stakeholder review.

It strengthened a part of my practice I still value enormously: knowing how to protect the creative idea while navigating scale, complexity and delivery pressure.

TASTEMADE / TASTEMADE TRAVEL

TASTEMADE / TASTEMADE TRAVEL

Six years of editorial and branded work across food, travel, hospitality and culture for one of the world’s leading social-first publishers.

I produced and edited original formats including Offbeat, Kid Critic and West is Best, alongside commercial work for brands across travel, food and lifestyle. The work ranged from fast-turnaround social storytelling to more polished campaign films, with selected edited and graded projects reaching more than 4.2 million views.

It was a formative part of how I learned to make work that has to be both visually considered and genuinely watchable.

ABSOLUT ELYX

A large-scale body of premium moving-image work created for Absolut Elyx across launch, product, cocktail, event and social content.

Across more than 80 assets, I worked through production and post, editing and finishing work for multiple platforms and formats while maintaining a consistent visual identity across digital, outdoor, airport and in-flight environments.

The scale of the campaign demanded both creative judgement and forensic consistency — exactly the kind of work I enjoy.

BODY IMAGE

Created for Mental Health Awareness Week, BODY IMAGE combines spoken word with intimate, highly controlled portraiture to explore appearance, self-perception and mental health.

I produced and directed the film, building the visual approach around performance, vulnerability and direct human presence rather than conventional campaign language.

The result is deliberately simple: one voice, one face, and enough space for the subject to land.

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